Saturday, September 5, 2009
Family Circus: Have you decided if you're gonna cry when I win?
Jeffy might be a serial killer, but no Keane is as unfeelingly cruel as Dolly. In this cartoon, for example, she appears to have made PJ shit his pants with nothing more than a harsh line and a steely glare.
Zits: I don't need a GSP!
Friday, September 4, 2009
Marmaduke: Sorry. You can't borrow a steak with a library card.
Lola: Tax on this! Tax on that! There's a stinkin' tax on EVERYTHING!
Luann: Luann, I could hire a limo and take you to a fancy-pants restaurant.
Greg Evans should quit it with these tame intimations of HAWT LESBIAN SEX!1!@! and instead start up an uncensored, online version. Judging by the search traffic this blog receives, he would have a disturbingly large audience.
Family Circus: Pass.
The Quigmans: Facebook date gone awry.
Thursday, September 3, 2009
Cow and Boy: Life's hard, Cow.
This comic is a good example of Cow and Boy's standard format. The first two panels are devoted to Boy's abstract philosophical argument. The third panel consists of Cow's rejoinder to that argument. And the fourth panel contains the absurd literalization of the argument, which reveals that Boy's argument is specious and that Cow is in the right. It's an effective, often very funny formula.
Cow and Boy owes a certain debt to Calvin and Hobbes, of course. The philosophical discussions, Boy's self-interest, and Cow's general correctness are all lifted from the school of Bill Watterson. As is to be expected, Cow and Boy suffers by the comparison, as it is quite a bit more limited in the scope of its themes and the depth of its relationships. That said, it also allows itself to get a lot more ridiculous than Calvin and Hobbes ever did, and indeed its fourth panels often seem more inspired by single-panel cartoons than any multi-panel comic, thriving as they do on absurdity. The combination of sensibilities makes for a surprisingly unique comic strip.
Cow and Boy owes a certain debt to Calvin and Hobbes, of course. The philosophical discussions, Boy's self-interest, and Cow's general correctness are all lifted from the school of Bill Watterson. As is to be expected, Cow and Boy suffers by the comparison, as it is quite a bit more limited in the scope of its themes and the depth of its relationships. That said, it also allows itself to get a lot more ridiculous than Calvin and Hobbes ever did, and indeed its fourth panels often seem more inspired by single-panel cartoons than any multi-panel comic, thriving as they do on absurdity. The combination of sensibilities makes for a surprisingly unique comic strip.
Family Circus: Are ALL cats good at takin' naps?
This cartoon is hilarious because Dolly is bizarrely obsessed with the concept of cats sleeping for short periods of time.
BC: So, what did you do yesterday, son?
It's nice the way the ant-father doesn't even bother waiting for his ant-son's reply after asking how his day was yesterday. Instead, he just picks up the newspaper and begins reading, as he no doubt does every day whenever his ant-son is around. That's quality comics section parenting right there.
Given this, it appears that the ant-son has participated in some newsworthy act of delinquency with the intent of garnering some attention from his neglectful ant-father. It seems unlikely to work, however.
It should go without saying that all of this is hilarious.
Given this, it appears that the ant-son has participated in some newsworthy act of delinquency with the intent of garnering some attention from his neglectful ant-father. It seems unlikely to work, however.
It should go without saying that all of this is hilarious.
Cul de Sac: YAGH! It's the HEADLESS SURFER DUDE!
Wednesday, September 2, 2009
Family Circus: What are you drawing?
Jeffy is almost certainly lying here, because even he knows that admitting to drawing diagrams of his future grisly murders would probably be a mistake. Unfortunately for him, it's pretty clear that Billy's already onto him.
Pluggers: Pluggers are proactive in their own health care.
Grand Avenue: Dead man walking!
Tuesday, September 1, 2009
Wizard of Id: My name is Sir Rodney, and I can take any man in the house.
See, first Sir Rodney was fucking horses, and now he's practicing going into bars to pick up random men. This is the danger of bestiality. While man-on-beast love may seem relatively innocent, it is unfortunately a slippery slope that will inevitably lead to the unabashed embrace of the demon homosexuality. And then, of course, in the worst case scenario, to the most harrowing relationship of them all: traditional marriage.
UPDATE: Be sure to read the sign above the bottle in the first panel.
UPDATE: Be sure to read the sign above the bottle in the first panel.
Get Fuzzy: You got an ibaboonprofin on you?
I was going to write about how, even though I love Get Fuzzy and therefore cut it a lot of slack, this is a pretty terrible installment with nothing to recommend it.
But then I saw that Bucky had changed the name of the Boston Bruins to the Boston Baboonians, and it made me laugh. So if nothing else, at least there's that.
The real lesson of this comic then is that if you're going to go with word play, go with lots of word play. Your odds will be better that way.
But then I saw that Bucky had changed the name of the Boston Bruins to the Boston Baboonians, and it made me laugh. So if nothing else, at least there's that.
The real lesson of this comic then is that if you're going to go with word play, go with lots of word play. Your odds will be better that way.
Stone Soup: Tell her she won't die if she has to wear closed-toe shoes!
Frank and Ernest: I couldn't get health coverage due to a pre-existing condition--I'm broke.
Monday, August 31, 2009
Family Circus: How 'bout chocolate dressing?
Here we see Billy attempting to impart a valuable lesson about the arbitrary nature of a society's dietary conventions, only to have his wisdom once again dismissed by his stupid siblings and his constantly angry mother.
Monty: My hard-inherited wafers, mind you!
Sunday, August 30, 2009
Doonesbury: Mike's summer daydream.
This Doonesbury is more smart than it is funny, but we here at The Comics Section are a cultured sort, so we can appreciate this kind of thing.
Trudeau is talking about the tension between our desire to see people change and our desire to see them stay the same. Change is inevitable, to a degree, but at the same time, that change comes so slowly that we don't even notice unless it's been years since we've seen each other. What's more, people will never change in the way we want or expect them to. And what's still more, if they were to change in the way we wanted or expected them to, we would inevitably be disappointed.
Trudeau is also talking about all of this as it pertains to characters in serialized fiction, which is even trickier. If characters remain the same for too long, a comic strip or a television show or whatever will become stale. But if the characters change too drastically too quickly--and thus unrealistically, like the old friends at reunions--they become fake, and the show becomes a shadow of its former self.
The scale is nearly impossible to balance. But this is what we ask of our artists. We're bastards like that.
Trudeau is talking about the tension between our desire to see people change and our desire to see them stay the same. Change is inevitable, to a degree, but at the same time, that change comes so slowly that we don't even notice unless it's been years since we've seen each other. What's more, people will never change in the way we want or expect them to. And what's still more, if they were to change in the way we wanted or expected them to, we would inevitably be disappointed.
Trudeau is also talking about all of this as it pertains to characters in serialized fiction, which is even trickier. If characters remain the same for too long, a comic strip or a television show or whatever will become stale. But if the characters change too drastically too quickly--and thus unrealistically, like the old friends at reunions--they become fake, and the show becomes a shadow of its former self.
The scale is nearly impossible to balance. But this is what we ask of our artists. We're bastards like that.
Ziggy: I always bring a little extra money in case there's another postage hike before I get to the window!!
Considering it's appearing in a Ziggy cartoon, this is a very clever joke. It contains two parts. First, it's hilarious because service at the Post Office is slow. Second, it's hilarious because service at the Post Office is expensive. Granted, neither of these potential sources for humor is even remotely original, and at least one of them is rather strikingly false, but for Ziggy it really is an impressive piece of art.
Which is to say, it's not just a piece of shit. It's like two pieces of shit in one.
Which is to say, it's not just a piece of shit. It's like two pieces of shit in one.